Princess Pricklepants and the Never Ending Story of Hedgehog Art Through the Ages


(previously)

Dear everyone,

We regret we’ve been remiss in reporting our wonderful journey into the world of hedgehog art history.  The good news is we’re working on a children’s book that should be something delightful and quirky assuming everything works out well.

We’ve discovered quite a number of works since the book was published.  In case you’ve forgotten to buy the book, you can find it here.  Well worth buying.  And if you already have a copy, you’ll find a second copy incredibly useful as you can read it in stereo.

While the book covered the period from the Renaissance forward, here we present works from the prehistoric to the Modern era.  We’re so excited to share these, we’ll skip a wordy introduction and present our first picture with words under it.

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We begin with a truly thrilling discovery. Further archaeological research of the El Castillo cave paintings discovered in Cantabria, Spain, has discovered this, the earliest hedgehog art yet discovered. The work, from c. 39,000 BCE, used stencils and ochre to create this simple but charming and historic painting.

 

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This is a doubly exciting find. First we present a recent discovery of an ancient papyrus (apparently inadvertently misplaced by E. A. Wallis Budge in a nook in the British Museum) presents a fascinating view of what scholars believe is a hedgehog goddess judging the souls of the deceased. Equally fascinating is that the transliteration of the hedgehog goddess’ name in Egyptian is ‘eid-zil-la’ – it appears that we have discovered the most ancient reference yet know in art history to Hedgezilla!

 

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Here we present a truly remarkable Assyrian bas relief of the Assyrian Hedgehog warrior goddess, Kwillamash, aiding soldiers in a siege. This piece is a detail from the North Palace at Nineveh belonging to Ashurbanipal (668-631 B.C.E.). This piece was only recently discovered in 1985, though was lost in Mosul in 2003, and is now only preserved in photos. It’s believed that Kwillamash was represented by a hedgehog due to their legendary ferocity and deadly quills.

 

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This Greek red figure vase from the early 5th c. presents many mysteries to the hedgehog art historian. It’s possible that the figures depict the tale of Aleterix answering the riddle of the Sphinx (in an unusual Lydian hedgehog form), or alternately this might a tale of Croesis where the figures were replaced with hedgehogs, or one of several dozen other accounts because hedgehog art historians with time on their hands can fill in blanks is all sorts of ways. Regardless, so far as as ancient hedgehog art goes, this is a wondrous masterpiece worthy of a long discussion we will spare you, dear reader, out of the kindness of our hearts.

 

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Here we present a charming Medieval manuscript depicting a hedgehog battling an owl. 15th c., from the Hatton Manuscript. This margin drawing depicts a hedgehog armed with sword and shield fighting an owl. Monks of the era must surely have known about the owl’s cruel habits and enjoyed drawing the underdog getting the upper hand.

 

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Sacred Hedgehog of Mary, Stained Glass, Cathedral of Trier (1430s). This is a very… odd work. Originally commissioned for the cathedral by Otto von Ziegenhain, Bishop of Trier. At the time due to an outbreak of lead poisoning there was a dire shortage of stained glass artists. A mysterious artisan named Egelkopf appeared and offered his assistance. While he was quite skilled in glasswork, he was quite poor at following instructions, and oddly obsessed with hedgehogs. While Bishop Ziegenhain was displeased at the results, and the piece created some controversy, it was eventually accepted. At some point later the phrase “NESCIMUS QUID SIT ERICIUS IN FENESTRA” (we don’t know why there’s a hedgehog there) was inscribed below so people would stop asking.

Egelkopf has been found listed in the mysterious manuscript from the 1500s, “Annales sermonum sublimis inter homines circa erinacei” (Annals of acts of greatness by humans to hedgehogs), a document deserving greater scholarly attention.

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Recently discovered, Da Vinci’s L’Ultima Cena Ma Con Ricci (The Last Supper, But With Hedgehogs) is difficult to explain, but clearly means something, and something big.  We’ve spent many long hours examining this work and seeking the secret meanings, and believe we’re onto something very, very big.  We’ve reached out to Da Vinci Code author Dan Brown about the many new layers of mysterious and conspiratorial meaning this adds to everything, though so far he hasn’t been very polite.

 

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One Da Vinci isn’t really enough, so here we share this, a likely second.  Vitruvian Hedgehog (c. 1490). Experts remain unsure whether the work is an original by Da Vinci, or a student’s sketch, but we think those experts are just afraid to admit the truth partially revealed in The Last Supper, But With Hedgehogs which prove this is also a Da Vinci.  Regardless of origin, or experts being picky about things, the work illustrates the perfection of proportions, and remarkable mathematical harmonies found in the hedgehog form.

Sorry to double-up on artists, this is the last time we’ll do that.

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Monet’s “Hedgehog with a Parasol” (1874). This masterpiece of hedgehog impressionism is so well known it needs no description other than simple words like “painting,” “pretty,” “awesome,” and perhaps a few other descriptive terms you can come up with yourself.

 

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Okay, this one was in the book.  But we’re throwing it out there, since it’s a Van Gogh, and we haven’t blogged about it, and it’s truly delightful to behold repeatedly. “The Starry Hedgehog Night” was a view painted from the east-facing window of his asylum room in 1888. The nurses noticed the various hedgehogs hidden in the painting and were concerned, so Vincent repainted the more well known version of the painting.

Much could be said, though it’s better to just look at it.

 

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Remember when we said we wouldn’t double up on artists?  We don’t either.  Here we present Vincent Van Gogh’s 1889 self-portrait, painted in the sanitarium at a point when he mistakenly believed he was a hedgehog.  This work presents a fascinating view of the post-impressionist hedgehog art master.

 

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Every collection of hedgehog is better if there’s an Alphonse Mucha work involved.  Here we present a print entitled, “Hungry, Hungry Hedgehog.”

 

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Finally, we present “Drawing Hedgehogs,” a lithograph by the Dutch artist M. C. Escher first printed in January 1948.  While there are copious words that could be expended on this work, we’re already well past the arbitrary 1000 word limit we set for blog posts, so we’ll leave it as an exercise to the reader to come up with a proper description.

Thanks for reading, hope you enjoy these magnificent works as much as we do, and until next time, adieu.

Princess Pricklepants, Kaiju, Savior of Tokyo


Dear readers,

We have a secret to share. You see, all these years, we’re sure you’ve been hearing about Hedgezilla, famed savior of Tokyo and all around amazing gargantuan hedgehog.  What you did not know is that this is our secret identity. Thanks to a leak by Hedgehog World News our secret is public, so we wanted to share a few notable moments from our story.

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Long ago, when we were young, there was baby Hedgezilla, still learning to save major metropolitan areas and bring wonder and delight to concerned citizens by smashing things.

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Soon we learned valuable skills like radiation-breath that kept King Ghidorah at bay.

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Though sometimes we just had to manage things the old fashioned way.

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Super-quill powers activated, failure was not an option in our mission to protect the world from King Ghidorah.

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We also saved the world from Anguirus, a somewhat hedgehog-like kaiju.

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Mothra was very uncomfortable when we visited, since Mothra larva look very delicious.

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Eventually we became friends, though, playing radiation-breath games together.

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At times we faced our arch-nemesis Mecha-Hedgezilla with grace and aplomb and a few other fitting adjectives.

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These were notable enough that there was a movie about it you probably remember.

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In addition to Tokyo, we also protected Kyoto.

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Unfortunately our efforts to protect San Francisco went more poorly.

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Sometimes protecting Tokyo also went poorly.

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Frolicking on Monster Island was always delightful.

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And while initially we didn’t get along well with King Kong…

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Eventually we grew close, thanks to the power of good manners, grace, and politeness.

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While by day we are a mild-mannered hedgehog art historian, world explorer, pirate, and entrepreneur, by day we also sometimes transform into a world-saving super force.

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So now you know.

Princess Pricklepants and the Quilly Quest – Episode IV: A Bleak Hope


Dear Readers,

Today we bring you the fruits of our labor that we’ve spent many hours working on while also not creating blog posts.  In terms of hedgehog film criticism, this work is notable as being by far the most technically advanced of the Pricklepants film oeuvre, lovely in its synchronization with Camille Saint-Saëns’s Danse Macabre, and is quite charming as an animated musical comedy.  We bring you:

The Quilly Quest – Episode IV: A Bleak Hope

We hope you enjoy this fine and fascinating venture into hedgehog film criticism.

If you like our aesthetic and would like a delightful shirt featuring our art such as The Little Princess below, visit that Amazon link, and click ‘Urchin Wear’ to see the collection.

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Princess Pricklepants and the Recent Animated Shorts


 

 

Her Highness has been busy directing a few new films recently.

First, there’s Hedgehog Earth Defense:

This was inspired by the Hedgehog Space Agency’s noble scientific work:

Second, we present The Duel (also known as The Hedgehog’s Revenge, though that seemed a bit too stark a title).

This was inspired by this 15th century marginal hedgehog art (which was inspired by a 15th century English Eng. manuscript in the Bodleian Library improved by adding a hedgehog).hh-owl-med.jpg

Hope you enjoy!

Princess Pricklepants, Semi-Famous Blogger, Musicologist, etc.


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Hello dear reader,

We have wonderful and exciting news: We’ve been selected as one of Bel-Rea’s Top 25 Small Animal bloggers:

http://belrea.edu/blog/the-top-25-small-animal-bloggers/

The judges had very kind words for us:

In particular, I enjoy the silliness you bring to every blog post. The artwork you put your hedgies in makes me laugh every time, and I especially love the doll house the princess lives in! Many of our vet tech students end up working with exotic animals like your hedgehog, and so your blog is a great resource to them. Your post about what it’s like to have a hedgehog as a pet is especially informative.

Fear not, we probably won’t let it go to our heads too much.

In other news, Her Highness has been researching a new and fascinating branch of art: hedgehog album art.

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HISS – Hedgie Metal

 

 

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Hedge Zeppelin – The Quills Remain The Same

 

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Joy Division – Unknown Hedgehogs

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Duran Duran – Pokito

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Needlevana – Narglemind

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Meat Loaf – Hedgehog Out of Hell

 

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The Beatles – Hedgie Road

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Hedgehog Haunted Mansion

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Disney’s Pirates of the Caribbean

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And finally, a secret hidden hedgehog recently discovered on the cover of Sgt. Pepper’s Lonely Hearts Club Band.

In other news, this book should thrill and delight all:

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That’s all for now!

Darth Pricklepants


Once upon a time, in a galaxy far, far away, Her Highness woke up feeling rather less beneficent, gentle, and kind than her usual self.  It was Apr. 1, so the news couldn’t be trusted, and everyone was trying to trick everyone else.  This was confounding to say the least.  And so began the turn.  To the Dark Side of The Force.*

* Note: All spelling and grammatical errors in this post are deliberate and intended to convey maximum suspenseful dramatic power.

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At first, things seemed to go well.  She imagined the cool (and rather nicely done) movie posters she’d be featured on as Darth Pricklepants, terror of the Galaxy:

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The work on the Deadly Planet of Quilly Despair (DPQD) was proceeding nicely, and soon they could dispense with the Galactic Senate and rule the galaxy with an iron paw.

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Unfortunately, she was soon awakened from her 14 hours of beauty sleep in her “meditation” chamber:

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“Your Highness, I’m afraid we have some fairly annoying news. The plans for your super-weapon, the Deadly Planet of Quilly Despair(DPQD), have been stolen and taken to the rebel squirrel base.”

“What!? How!?”

“It was the bear, you Highness.”

“That accursed bear is as clumsy as he is prone to inopportune napping! General, prepare your troops for a surface attack. How many Quill-fighters do we have available?”

“Two hundred and eighty seven, your Highness.”

“Round them up.”

“Three hundred, your Highness.”

Her Highness briefly considered giving the obtuse general a nice Force Choke, then did so.

“Do not make math jokes!  After you are done never making any math joke ever again, prepare the attack.”

Battle preparations ensued.

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As preparations were proceeding, she learned that two of the rebels had been captured. It was time for an… interview.

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She first interviewed the droid.  Her Highness impolitely shouted at the droid.  “Where are the plans!?”

The droid was unhelpful, as it only spoke beepish, a strange bleepy language nobody really understood, but whose sense was detected by a sympathetic audience.  Her Highness was not sympathetic.  Her Highness stormed off dramatically, and with great flair to interrogate the other prisoner.

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The saiga antelope was just as unhelpful, as it communicated primarily with snuffles, body language, and at times, a nasal roar.

Being a Sith was not as fun as she’d expected.  All that force-choking, and shouting orders, and people failing her for the last time.  She thought about nicer times, like the epic and very nicely produced fight scene with the Gorn.

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The general impolitely interrupted again, “Your Highness, the Gorn is actually from…. From Star Trek…”

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After a rather intricate but well executed segue, she boarded her Spike-fighter and set off to attack the Rebels.

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The battle scene was dramatic and stirring, and very nicely produced with top-notch special effects.

Unfortunately, and somewhat confusingly, the Empire fared poorly against the scrappy band of squirrel rebels, and thus began a slow downhill slide.

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Even the raid on the rebel base, which started out with very effective and nicely lit and very stirring light saber scene didn’t really go that well.  The stirring and beautifully choreographed light saber battle between Darth Pricklepants, Kylo Quill, and the Rebel Jedi squirrel Caff Nutwalker ended with the accursed Jedi escaping.

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The stolen plans were not secured.  Force Chokes were doled out all around.  The frustrated Dark Lord, Darth Pricklepants, decided that this was all too much.  Besides the Force Lightning, being a Sith Lord was really overrated. So she back to being the average and typical princess hedgehog, art historian, advice columnist, manners expert, and space traveler she wanted to be.  There was only one thing to miss about being a Sith Lord: Force Lightning.

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Note: While this story is a new work, it is based on sharing a set of things that emerged for April Fools Day. Unfortunately, there really was just no plausible way to work in this image:

To see the collection of things in their original context, see here.

 

An Interview with Princess Perdita Pricklepants


This is so cool!  We did an interview with Laura C. Dunklee of the Hedgehog Welfare Society which you can find here (there’s also a wonderful review of our little book):

HWS Newsletter Volume 85

We’ve transcribed it here for those who might have issues with reading the PDF and to make links and things work:

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An Interview with HRH Princess Perdita Pricklepants Laura C. Dunklee, HWS Co-Chair for Health, Research, and Education

Thank you, your Royal Highness, for making yourself available for this interview. I know your time is valu- able and shall strive to be respectful and mindful of your commitments. For those not familiar with the groundbreaking “Hedgehog Art Through the Ages,” might you explain your vision for the book?

We had a few goals.

First we wanted to delight readers with the magnificent world of hedgehog art. There’s so much wonderful work out there from the Renaissance through the Modern period and we’re glad to be able to share this wonderful, lovely, and often fun world of hedgehog art. From Botticelli to Warhol there are so many ways to represent hedgehogs and capture the mysterious quilly essence that it makes for a fascinating journey.

Second we wanted to give each work enough context to be appreciated while keeping a light touch and a sense of humor. And lastly, we wanted to be sneakily educational, by describing major art periods, notable things about individual artists, their styles of representing hedgehogs, and their innovations.

Many people, even art historians (who should know better!), are unaware of the vast repository of art that includes – correction: celebrates – hedgehogs; why do you think this is and what can we, your subjects, do to raise visibility about this most important subject?

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“Rembrandt’s Portrait of Hedgehog Noble”

Hedgehog art history and art criticism is a young field, which does mean fewer will be exposed to the many works which are, even now, still being found. For instance, just this last month a 40,000 year old cave painting of a hedgehog was discovered! We work with the Royal Society of Hedgehog Art Historians, and hold the public outreach chair, so we’re promoting a greater knowledge and understanding. When notable discoveries are made, we share them with our subjects.

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We published this book to give a nice overview of hedgehog art, and so far readers have responded delightfully well. In an effort to bring hedgehog art in the public eye we (shameless plug alert!) produce tee shirts (search for “Urchin Wear” on Amazon), and have other merchandise such as note cards and delightful things on Redbubble.com. If subjects would like to raise visibility, following us on Facebook or Twitter and sharing anything that you particularly like would be a great way to spread the word, and of course, if you should purchase a book (we’d be endlessly grateful if you did) then writing a review would be very helpful. And if you really are an enthusiast and would like a tee shirt, there are many designs to choose from, in case one delights.

In the past we tried to reach out to various scholars at universities to further promote a popular knowledge of hedgehog art, though strangely professors rarely respond, and when they did they seemed to get confused. They’d just send notes saying things like “Please stop emailing me,” or “Do I need to get a restraining order?” For the record they don’t need to put in an order for art history retraining, we’d be happy to advise at no charge.

How do you feel about the way the artists’ models were treated as they posed for these remarkable works? What do you know about these models and their lives beyond the art world?

Well, I think we can say the first poor hedgehog used in the cave art was probably not very happy. An ancient human effectively blew ochre all over the poor thing to create an outline – horrifying. People apparently weren’t very polite 40,000 years ago.

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“Detail of Michelangelo’s Sistine Chapel”

There are a number of unknown models in works from the Renaissance, and little is known about the day to day lives of common hedgehogs (Hedgehog Cultural Studies is also a very young field, though the Hedgehog American Cultural Association is making progress researching and promoting public awareness). Given the refined and subtle poses in works through most art history, we want to assume that models were treated with the gentleness and kindness all hedgehogs deserve, but this is something we must research more to be sure of.

 

One of the most remarkable things we’ve learned about this is that Her Highness’s forebears are occasionally represented. In this case we do have various records and stories and know that as nobility, they were generally treated with due dignity, decorum, and politeness, though human social norms were odd.

For instance, the culture of Renaissance Italy held unusual superstitions regarding the idea of hedgehogs crawling in their food as “unclean,” and in Paris in the late 1800s the mere presence of hedgehogs could scandalize literary salons. We also know that there were various court intrigues among Renaissance hedge- hogs, especially the Venetians, with conflicts and even impoliteness.

I note that “Hedgehog Art Through the Ages” has you listed as a secondary author; what was it like to collaborate with a co-author, what was your writing and editing process like, and do you feel S.M. Bach was appropriately respectful of your vision for the book? Also, why did you choose to be listed second?

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“David’s Discomfort of Socrates”

S.M. Bach is our loyal hand servant who has worked diligently with us in our research and cataloging, has helped with preparing photos of the art, and is a far better typist (a good hedgehog keyboard is a challenge to design). In working on the book, I would select works, dictate accounts for each, and then we would go over edits and layouts. Editing is definitely not fun, though I left most of that kind of menial labor to the handservants so we could live the true life of mind every hedgehog aspires to.

Due to persistent and pernicious pet prejudice in publishing, the human was required to be listed first – it’s shocking to see such a thing in this day and age, but the fight for progress truly never ends.

As a pet’s rights activist this was very troubling, but we are working on expanding awareness and will work to see the day a hedgehog can publish without the sad specter of speciesism.

What has been the critical reception to this revolutionary work? Do you feel this reception is appropriate? Will there be a second book?

We’re very happy to say the reception has been universally positive. We’ve gotten reviews from several readers (art enthusiasts) who said they felt the book was written specifically for them, and the reviews on Amazon are all very positive, and what reviews we’ve received from websites have been very positive (for instance BoingBoing reviewed our book). Needless to say more reviews to help popularize this important topic would be both delightful and a great contribution to aiding the advance of knowledge.

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“Mucha’s P. Picklepants”

At this point we’re still mulling a second art book. We are planning work on a children’s story book (not art related), and once that’s done we’ll need to see where things stand. There are a number of traditional hedgehog folk tales not well known to humans that we are considering adapting. Needless to say we will continue sharing art research that is not in the current book since there are so many dimensions to it. While the current book begins in the Renaissance, we’ve since found cave art, Mesopotamian, Egyptian, and Greek art, and have shared various wonderful works from the Middle Ages, as well as Chinese art, and other things. It’s an exciting time to be in the field, and we may really need to publish a second volume.

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Are there any artistic periods you are personally drawn to? Are you a collector of hedgehog art and, if so, where might your subjects view some of your private collection?

We usually feel that whatever art we’re looking at is our favorite, but we are uniquely drawn to Art Nouveau works. We are also deeply drawn to Japanese ukiyo-e print making (there is a section on Japanese art in the book). Since we do some work in graphic design, that may be part of the allure of poster art and print making.

And now, more general questions, if I may… As a Princess, you have many responsibilities; do you find these annoying or enjoyable? Are there any you have decided you’d rather not be bothered with and thus have delegated to others?

 

We are a very busy hedgehog, but we like to keep busy. We do try to delegate to tasks that are more physical (or which don’t require the keen intellectual abilities of a hedgehog) over to the handservants. Fortunately, they are reasonably competent so long as one is patient with them.

 

You are the second Princess Pricklepants, having succeeded Princess Penelope; how has she inspired or influenced you as a leader and as a Princess?

Princess Penelope is the stuff of legend, a pioneer in so many fields, and even a presidential candidate. Her example is a daunting one to live up to, though from her we learned that grace, gentleness, good manners, a deep dedication to one’s duties, and careful management of handservants to keep them on task and help them when they get a little confused will yield tremendous results

We also learned from Princess Penelope the importance of developing one’s own vision and voice and pursuing it. While she was more focused on the dramatic arts and being a photo model, we’ve grown more focused on the fine arts, and even learning video animation and production.

We’d recommend taking a look at the book trailer we’ve produced, as well as our various animated features – we’re especially pleased with Hedgezilla vs. Mechahedgezilla, and Hedgezilla vs. Mechahedgezilla II.

You are known for being a highly visible and vocal advocate for politeness and have also gained a reputation for diplomacy: might you share with your subjects how we might emulate you in our daily lives?

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“Vermeer’s Hedgehog With a Pearl Earring”

We are very glad you asked. Today’s world has seen a sad decline in politeness, manners, and etiquette, and it’s well worth bringing this back to promote a more civil society and civil discourse so we can live together without so many petty conflicts.

 

There’s no better guide to manners than the works of Princess Penelope, which begins here and carries on extensively and in much detail.

https://princesspricklepants.com/2014/11/28/princess-pricklepants-guide-to-politeness-manners-delightfulness-grace-and-related-things/

You have a very active presence on social media: Do you maintain all your accounts, yourself, of have you tasked others to handle your Facebook, Twitter, Instagram, Flickr, Pinterest, and Blog? Further, how do you feel about sharing so much of your personal live—and many adventures—in a public manner? Are there some topics you feel are inappropriate for social media discussion?

As royalty, it is our duty to share updates to the public, and we’re so used to it we don’t really even think about it. We often dictate and delegate the typing to the hand servant, as well as much of the clicking parts, and the photo editing, and photography, but we do most of the work.

While Princess Penelope was a bit more open, we are a little more reserved, which is why you see fewer domestic things generally, but it is our duty to serve as an ambassador of manners, and we find it fun to chat with subjects who chime in on our adventures.

We do keep some things to ourselves, though just common sense things that wouldn’t be good etiquette to share.

 

And finally, four personal questions:

What is currently on your bedside table?

Haley’s Guide to Manners, 2015 edition (the classic), a teapot with a bit of chamomile left and a teacup, and a very small rubber crocodile.

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What music are you currently listening to?

Currently listening to Camille Saint-Saëns’ Carnival of the Animals. Sad he didn’t write a hedgehog piece, it surely would have been glorious.

What are you planning for your next adventure?

We tend to play things by ear, but we’ve heard about a country populated with tiny hedgehogs that we would really like to visit soon. Also there is space travel. Or perhaps working on solving the Mystery of the Moroccan Monkey Mantelpiece. And some are suggesting a trip to Castle Fischer-Price to look for a grail thingie.

Is pink still your favorite color?

Yes, that and indigo. And also emerald green. And sometimes burgundy. Except when it is royal purple.

Thank you for the gracious sharing of your time, Princess; on behalf of your subjects, may I say you are truly an inspiration and we are fortunate to have you.

If you, dear reader, would like to know more about HRH Perdita Pricklepants, she can be found on: Facebook (princesspricklepants)
Twitter (@PPricklepants)
Youtube (urchinwear) Her blog (http://princesspricklepants.com)

And occasionally on Instagram.

 

Hedgehog Art Through the Ages — A Review Laura C. Dunklee, HWS Co-Chair for Health, Research, and Education

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Van Gogh’s The Starry Hedgehog Night

I am an art lover. I am a history lover. I am also a hedgehog lover .
How is it, then, that I was completely, embarrassingly unaware of the vast realm of historical hedgehog art?!

Thankfully, Her Royal Highness, Princess Perdita Pricklepants, and her devoted handservant, S. M. Bach, have devoted so much time and energy to painstakingly researching and documenting this vital, and yet — until now — little known and explored field.

Hedgehog Art Through the Ages is a text that delights, as the authors share with us many recently discovered artistic masterworks. Not only have the authors chosen to include photos of these works, but they have also written engaging, informative comments, introducing the reader to the artists, their place in history, and various important bits about their lives and the masterpieces.

Do not allow yourself to gaze only at the art, only skimming the accompanying text! It is in the words, thoughtfully placed below the images for the ease of finding, that one gains the greatest insights into the importance of each piece. For example, the descriptive words under “The Starry Hedgehog Night”:

Van Gogh’s 1888 “The Starry Hedgehog Night” was a view painted from the east-facing window of his asylum room. The nurses noticed the various hedgehogs hiding in the painting, and were concerned, so Vincent repainted the more well known version of the painting. Much could be said, though it’s better to just look at it.

Upon reading the above, I took the authors’ advice and just looked at it.

I was pleased.

The perfect text for any lover of art, of history, of hedgehogs: go forth, purchase, and savor Hedgehog Art Through the Ages!