Princess Pricklepants Presents Bat-Hog vs. Count Hogula Part III
Princess Pricklepants Presents Bat-Hog vs. Count Hogula Part III
Today we published Princess Pricklepants Presents issue no. 8: Count Hogula Part II (we forgot we needed a title until it was too late). In case you missed it, here it is:
We didn’t go into the details of the previous comic since it was a little less exciting art-wise, and seemed pretty straightforward. It was mostly prep to get us to this comic.
Since Bat-Hog entered the graveyard Hogula is in, we got to make everything Goreyesque, which is good. We’re not great with the comic styling we were using in the previous comic, and don’t especially like it, so we were very happy to escape to this. Also coloring is hard, so all black-and-white is nice, except shading with crosshatching is harder than coloring, so darn.
The highly hatched hog-rocket landing generally pleased us. We fiddled with it a lot, and would have fiddled more only at some point you just have to stop. It doesn’t quite draw the eye to tell the story of the landing as much as we’d like, but we’re picky. Bat-hog’s determined walk through the bleak snowy graveyard towards the crypt, the tombstones, the crypt in the distance, these we like. In the layout we bled the two top panels together to give some sense of motion.
A dramatic meeting. We worked on each expression for a good while to get a very serious, stern Bat-Hog. Empty white holes in a mask are nice and easy for making expressions. We made a much more mysterious Hogula that invited multiple readings. Bat-Hog’s quills are a lot more varied than Hogula’s since he just crashed in a Hog-Rocket. The conceit for the bottom panels gets set up here, writ small.
We put a tiny message in here about the shadows, because it’s not how shadows work. We fiddled a while, reached a point where we could live with the wrongness, and left a confessional note. Nice dramatic left panel, I think. We added the bats late, but once we thought of it, they really helped things pop.
Bat-Hog’s quills will never settle until crime has ended. The shadows again, let’s not talk about those. We played up the mirrored Bat-Hog and Hogula, each with their long dark cape/cloaks, their bats, and other similarities for the comic, but now we really want to make a vampire Batman just to test things out some more.
We left things hanging with poor Hogula complaining about suffering unfair prejudice by the living, next week we will fill in more, so stay tuned.
Today we published Princess Pricklepants Presents issue no. 6: Hedgehogs In Space. In case you missed it, here it is:
This is the intro comic boldly going where no hedgehog comic has gone before. While this particular issue has some Star Trek influence, now that we’re through this intro comic, the goal is to be more akin to Muppets in Space, the single greatest sci-fi show ever produced. Every real sci-fi fan knows in their heart that the Muppets in Space Star Wars episode was the most ambitious crossover in history.
It’s always helpful to start a sci-fi thing off with an explosion. This helps the audience immediately know that we’re dealing with sci-fi, and not, say a torrid hospital-based hedgehog soap opera (which starts with a hospital scene) or a hardboiled hedgehog detective (which starts with some moody, noir setting). We bet you knew this was a sci-fi episode right away. Explosions. They work.
Another fascinating explosion fact we’d like to share is that the model for the explosion we used to make the drawing say “explosion” was the Atari 2600 Missile Command box art.
We don’t have a lot to say about this panel, since it really speaks for itself. We’re very pleased to be able to bring Boris in as Boris here. You might be wondering why Boris is calling the robot a “little robot” when in terms of the scene, the robot’s not small. The reason has nothing to do with the robot, and everything to do with a bear who wants to pursue a science of scent-based phenomenology.
Crew members complaining and gossiping behind the backs of other crew members are a staple of sci-fi. Fun fact: the background of the bear and cow scenes are the same drawing mirrored. We liked a lot of the details the bear’s speech bubble hid and didn’t want to waste them. That bear’s a talker.
We think this panel pretty much speaks for itself and manages to say a lot with one image.
We are still generally following ligne claire here though we were looking at a lot of Möbius drawing when coming up with a setting. Apparently we really like the Franco-Belgian comic artists.
One little detail we haven’t mentioned before but which is nicely illustrated here is that we follow the Law of the Simpsons: hands have three fingers and a thumb. We’ve been quite consistent with this from the start.
We think this one came together pretty well. We’re back to the view screen from the beginning, the crew is all together save the robot, and we have some new mysterious bits like the hedgehog-esque shuttle. The robot is flying the shuttle, hence not in the scene.
If you can identify the blue planet with two rings you’ll find the text has a richer, deeper, more symbolic meaning.
We hope you liked this one, and we look forward to future Hedgehogs In Space where we can explore things like Space Madness, Existentialism In Space, Cows and Bears Bickering In Space, etc.
Princess Pricklepants Presents Hedgehogs in Space – Issue 6
Princess Pricklepants Presents Hogula: Of Monkeys and Melancholy
Issue No. 5
Princess Pricklepants Presents Issue No. 3
Princess Pricklepants Presents Pricklepants Labs
Princess Pricklepants Presents Issue No. 2
Today we presented our first installment of Princess Pricklepants Presents, an artful webcomic of delight and wonder. The single greatest webcomic ever created by us. Since this is our first comic, we had a lot to say that didn’t fit in the little speech bubbles, so in this post we’ll share details of the art, comments on things, and notes about notes. In case you missed the comic, here it is:
In this comic we managed to include references/homages to Alphonse Mucha, Da Vinci, Michelangelo, Magritte, Rembrandt, the Flammarion Engraving, Hergé, with subtle references to a few other artists of note, as well as hitting the minimum recommended daily allowance of jokes, both visual and written. We also drew a whole lot of quills.
Perhaps you’re asking, “why a web comic?” Well, you might remember that Princess Penelope Pricklepants used to write stories on our blog featuring herself as a model. Now take a look at this rare behind the scenes photo of Princess Perdita Pricklepants.
As you can see, Princess Perdita is not at all fond of posing, and immediately on coming on set, is ever intent on climbing under any and every element of the set, making the old format much, much more difficult.
But we still liked telling stories and we’ve been making art that told stories. We even made a few early web comic sorts of things like Princess Pricklepants and the Mystery in the Hundred Acre Woods and Princess Pricklepants, Astrophysicist. Also we’d made little single panel comics like this off and on.
So a proper webcomic is a natural progression, and it seems like a nice way to do the kind of things we like to do. Doing these is a fair bit of work, so we created ten comics before we published to make sure we were up to the task, so you’ll be (hopefully) happy to know there’s definitely more to come. We also have many plans for more comics, and hope you’ll come along for the ride.
While this might come as a surprise, we’re huge fans of Art Nouveau and especially Alphonse Mucha, so our title image is a cartoon homage, mixing the silly and sublime in what we hope was the right ratio.
Now you probably noticed the Magritte between the Leonardo and the Michelangelo, and thought to yourself that there had to be some kind of symbolism of a surrealist sandwich with Renaissance bread. You are very astute, dear reader! There is indeed symbolism there.
While not so easy to see in the full comic, we were really happy with the comic version of Magritte:
The apple’s brush strokes, the subtle two-dimensional cubist geometric clouds, the hat’s shading… It is a tiny happy thing.
Michelangelo in comic form. I bet if he’d thought of it, he’d have done it this way.
It’s a self-evident truth that monkeys and squirrels improve everything they’re involved in. While drawing this panel, we learned a few things. First, drawing each quill and coloring them individually is a lot of work. Second, hand painting each individual square in the gingham tablecloth to define the form was probably a mistake. Third, chairs are surprisingly hard to draw.
If you’ve ever read the Tintin comics by Hergé, you’ll be familiar with the comic style called ‘ligne claire’ or ‘clear line’ which we’re using here. It’s one of our favorites. The lines are drawn with a consistent pen width, there’s no hatching/shading lines, there’s a consistent naturalistic perspective, all forms in the image are in focus with each object clearly outlined, coloring tends towards lighter tones, and in general there are no shadows. (We took a few liberties with the tablecloth and chair cover because we’re free.) We’re not going to be using this style aways, but we really like it, so expect more.
You have no idea how many times we repainted this and changed colors around and fiddled with the stars. The hedgehog running in the wheel space station is a highly hedgehog-centric joke we couldn’t resist. If you’ve looked somewhat obsessively you’ll have noticed that we’ve drawn hedgehog quills in three different styles in the first three panels.
If you’re new to this blog, you might not be familiar with our cow, bear, and robot friends. We’d encourage you to catch up on some of our favorites:
Princess Pricklepants, Blogger, Anarchist (An early work, and odd, but still a fave.)
There are many more in the archives.
There’s much more to say about our friends, but we’ll be introducing you over time. Now, let’s take a closer look at that cartoonified Rembrandt hedgehog in the back.
Just look at it! Magnificent gloriousness.
And of course, we had to include a close-up and a nerd joke. Penning those quills took much time. Since this was our inaugural comic, we perhaps took the detail in the art a little further than we’re going to for every comic. In the end, we used five (or maybe six) stylizations for quills. We believe that is a record, and will be contacting Guinness.
We’re looking forward to sharing our comics with you. We’re currently planning to publish weekly on Saturdays, though there’s a chance we’ll change to biweekly, since they are actually a good bit of work to make. If you’re not following us, please follow us on social media where we share comics, art, jokes, and all sorts of wonderful things.
or you can follow our blog with the little link thing on the side.
We also have an Instagram account, but note that we won’t be posting comics there (with the scale we prefer, they just won’t fit): https://www.instagram.com/princessperditapricklepants/
If you like our art, you can find shirts, posters, mugs, notebooks, zipper bags, and other delightful things on our Etsy Shop.
We also have a wider variety of tee shirts on Amazon.
Do let us know if you have any feedback, questions, or comments, we’d love to hear from you. (Twitter/Facebook preferred, but any work). See you next week. Excelsior!
We regret we’ve been remiss in reporting our wonderful journey into the world of hedgehog art history. The good news is we’re working on a children’s book that should be something delightful and quirky assuming everything works out well.
We’ve discovered quite a number of works since the book was published. In case you’ve forgotten to buy the book, you can find it here. Well worth buying. And if you already have a copy, you’ll find a second copy incredibly useful as you can read it in stereo.
While the book covered the period from the Renaissance forward, here we present works from the prehistoric to the Modern era. We’re so excited to share these, we’ll skip a wordy introduction and present our first picture with words under it.
We begin with a truly thrilling discovery. Further archaeological research of the El Castillo cave paintings discovered in Cantabria, Spain, has discovered this, the earliest hedgehog art yet discovered. The work, from c. 39,000 BCE, used stencils and ochre to create this simple but charming and historic painting.
This is a doubly exciting find. First we present a recent discovery of an ancient papyrus (apparently inadvertently misplaced by E. A. Wallis Budge in a nook in the British Museum) presents a fascinating view of what scholars believe is a hedgehog goddess judging the souls of the deceased. Equally fascinating is that the transliteration of the hedgehog goddess’ name in Egyptian is ‘eid-zil-la’ – it appears that we have discovered the most ancient reference yet know in art history to Hedgezilla!
Here we present a truly remarkable Assyrian bas relief of the Assyrian Hedgehog warrior goddess, Kwillamash, aiding soldiers in a siege. This piece is a detail from the North Palace at Nineveh belonging to Ashurbanipal (668-631 B.C.E.). This piece was only recently discovered in 1985, though was lost in Mosul in 2003, and is now only preserved in photos. It’s believed that Kwillamash was represented by a hedgehog due to their legendary ferocity and deadly quills.
This Greek red figure vase from the early 5th c. presents many mysteries to the hedgehog art historian. It’s possible that the figures depict the tale of Aleterix answering the riddle of the Sphinx (in an unusual Lydian hedgehog form), or alternately this might a tale of Croesis where the figures were replaced with hedgehogs, or one of several dozen other accounts because hedgehog art historians with time on their hands can fill in blanks is all sorts of ways. Regardless, so far as as ancient hedgehog art goes, this is a wondrous masterpiece worthy of a long discussion we will spare you, dear reader, out of the kindness of our hearts.
Here we present a charming Medieval manuscript depicting a hedgehog battling an owl. 15th c., from the Hatton Manuscript. This margin drawing depicts a hedgehog armed with sword and shield fighting an owl. Monks of the era must surely have known about the owl’s cruel habits and enjoyed drawing the underdog getting the upper hand.
Sacred Hedgehog of Mary, Stained Glass, Cathedral of Trier (1430s). This is a very… odd work. Originally commissioned for the cathedral by Otto von Ziegenhain, Bishop of Trier. At the time due to an outbreak of lead poisoning there was a dire shortage of stained glass artists. A mysterious artisan named Egelkopf appeared and offered his assistance. While he was quite skilled in glasswork, he was quite poor at following instructions, and oddly obsessed with hedgehogs. While Bishop Ziegenhain was displeased at the results, and the piece created some controversy, it was eventually accepted. At some point later the phrase “NESCIMUS QUID SIT ERICIUS IN FENESTRA” (we don’t know why there’s a hedgehog there) was inscribed below so people would stop asking.
Egelkopf has been found listed in the mysterious manuscript from the 1500s, “Annales sermonum sublimis inter homines circa erinacei” (Annals of acts of greatness by humans to hedgehogs), a document deserving greater scholarly attention.
Recently discovered, Da Vinci’s L’Ultima Cena Ma Con Ricci (The Last Supper, But With Hedgehogs) is difficult to explain, but clearly means something, and something big. We’ve spent many long hours examining this work and seeking the secret meanings, and believe we’re onto something very, very big. We’ve reached out to Da Vinci Code author Dan Brown about the many new layers of mysterious and conspiratorial meaning this adds to everything, though so far he hasn’t been very polite.
One Da Vinci isn’t really enough, so here we share this, a likely second. Vitruvian Hedgehog (c. 1490). Experts remain unsure whether the work is an original by Da Vinci, or a student’s sketch, but we think those experts are just afraid to admit the truth partially revealed in The Last Supper, But With Hedgehogs which prove this is also a Da Vinci. Regardless of origin, or experts being picky about things, the work illustrates the perfection of proportions, and remarkable mathematical harmonies found in the hedgehog form.
Sorry to double-up on artists, this is the last time we’ll do that.
Monet’s “Hedgehog with a Parasol” (1874). This masterpiece of hedgehog impressionism is so well known it needs no description other than simple words like “painting,” “pretty,” “awesome,” and perhaps a few other descriptive terms you can come up with yourself.
Okay, this one was in the book. But we’re throwing it out there, since it’s a Van Gogh, and we haven’t blogged about it, and it’s truly delightful to behold repeatedly. “The Starry Hedgehog Night” was a view painted from the east-facing window of his asylum room in 1888. The nurses noticed the various hedgehogs hidden in the painting and were concerned, so Vincent repainted the more well known version of the painting.
Much could be said, though it’s better to just look at it.
Remember when we said we wouldn’t double up on artists? We don’t either. Here we present Vincent Van Gogh’s 1889 self-portrait, painted in the sanitarium at a point when he mistakenly believed he was a hedgehog. This work presents a fascinating view of the post-impressionist hedgehog art master.
Every collection of hedgehog is better if there’s an Alphonse Mucha work involved. Here we present a print entitled, “Hungry, Hungry Hedgehog.”
Finally, we present “Drawing Hedgehogs,” a lithograph by the Dutch artist M. C. Escher first printed in January 1948. While there are copious words that could be expended on this work, we’re already well past the arbitrary 1000 word limit we set for blog posts, so we’ll leave it as an exercise to the reader to come up with a proper description.
Thanks for reading, hope you enjoy these magnificent works as much as we do, and until next time, adieu.