The Curse of the Controlling Cow


(previously)

Greetings dear readers, it is I, Boris Excelsior blogging once more. By now you’re all too familiar with the strange creatures with whom I dwell. Somehow they suffer an ontological blindness to reality (save the chickens, they see all). They are like people chained to the walls of a cave seeing only shadows on the cave walls. This leaves them in an odd state (though perhaps their ignorance is a blessing). I know too well the nature of our cruel authorial overlord whose completely derivative tropes, shallow whims, avoidance of metaphors, tortured prose, literary floundering, poverty of figurative language, and annoying tendency towards alliteration leave me in endless despair (and don’t get me started on the photos which strangely focus on hedgehogs over bears). Lastly, as the protagonist, you’d think I’d be more central to things, but sometimes the foolish author forgets me altogether(!), more evidence of my point.  Back to the others, they see only their world of appearances rather than reality, where their random wanderings from some improbable situation and lingering threads of plots are invisible.

Original_Owl

I feel like I am Owl from Winnie the Pooh, seeing all, knowing all, a fount of erudition, and another protagonist who strangely isn’t present as much as might be expected. I envy the others in some ways, free from seeing the literary crime that is my universe. Yet, their ignorance seems to be at the root of their lingering character defects (especially the cows). Take Jane, the unbearable. This bear bears umbrage at her bare cruelty. Perhaps her controlling passive-aggressive ways are a product of a complete lack of free will, dictated upon her by authorial cruelty, but I believe it to be deliberate choice. Those little notes complaining about the missing donuts, the way she hides pie, the subtly harsh way she sips coffee, it must be an indicator of some kind of vicious consciousness, no matter how dim.

And then there’s that hedgehog. She’s sweet, and while perhaps sophisticated in manners, that sophistication ends with her intellect. Perhaps free will is inapplicable and she’s driven by instinctive etiquette. When she opens her mouth it’s probably innate to endlessly endorse etiquette while abusing alliteration. And that alliteration! Always an abominably awful attack against articulation. Cringe-worthily contrived composition.

That’s all for now, more musings soon. Much to say about that accursed monkey and I have some thought to share on deconstructionism – the concept of the death of the author is fascinating. Off to the book club with the chickens, we’re reading Dostoevsky.

pooh_back

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One thought on “The Curse of the Controlling Cow

  1. Pingback: Princess Pricklepants and the Mystery of Monkey Manners | The Pleasantries of Princess Penelope Pricklepants

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